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Mantra

This is Gayathri Mantra,
|| ॐ भूर्भुवः स्वः तत्सवितुर्वरेण्यम् | भर्गो देवस्य धीमहि धियो यो नः प्रचोदयात् ||
|| oṃ bhūrbhuvaḥ svaḥ tatsaviturvarēṇyam | bhargō dēvasya dhīmahi dhiyō yō naḥ pracōdayāt ||  When we say Valmiki “wrote” Ramayana, we actually mean that he “composed” it. In ancient days all these books and Kavyas were passed on through Oral tradition, not necessarily with written records. Valmiki, after composing Ramayana, taught it to Lava and Kusa (Rama & Sita’s sons, who were growing up in Valmiki’s Ashram then). It was Lava and Kusa who sang it first in Ayodhya and then in Rama’s assembly. After that it was just passed on as oral tradition from Guru to Sishya.

. Valmiki Ramayana – Valmiki was the first Sanskrit poet. He invented the shloka. In roughly 25,000 shlokas, this is the first work of Sanskrit literature, though other Sanskrit texts pre-date Valmiki. This is beautiful poetry, especially in the first 6 kandas, and unlike classical Sanskrit literature, it is simple in structure, easily understood. Yes, the Ramayana is about Rama’s journey and it has religious significance. But it is much more.

ref: https://hinduism.stackexchange.com/questions/15249/how-many-shlokhas-are-there-in-the-valmiki-ramayana

चतुर् विंशत् सहस्राणि श्लोकानाम् उक्तवान् ऋषिः | तथा सर्ग शतान् पंच षट् काण्डानि तथा उत्तरम् ||१-४-२

Sage Valmiki said Ramayana in twenty four thousand verses, in six hundred chapters, in six books, likewise an end-piece too. [1-4-2]

षट् काण्डानि तथा उत्तरम् ||
Six Kandas and also the Uttara.

प्र is from Yuddha Kanda:

प्रणम्य देवताभ्यश्च ब्राह्मणेभ्यश्च मैथिली ।
बद्धांजलिपुटाचेदमुवाचाग्निसमीपतः ॥ (६.११९.२३)

Offering her salutations to the devas and the brahmanas Sita, with folded hands went near Agni and spoke thus.

The above verse starts with प्र (pra).

च is from Uttara Kanda:

चलनात्पर्वतेन्द्रस्य गणा देवाश्च कंपिताः।
चचाल पार्वती चापि तदाश्लिष्टा महेश्वरम् ॥ (७.१६.२६)

When the mountain was shaking, the ganas and devas were tossed about. Parvati also felt the tremor and embraced her consort Maheshwara (Siva).

द is also from Uttara Kanda:

दाराः पुत्राः पुरं राष्ट्रं भोगाच्छादनभोजनम्।
सर्वमेवाविभक्तं नौ भविष्यति हरीश्वर ॥ (७.३४.४१)

O Chief of Vanaras, henceforth wives, sons, city, country, objects of enjoyment, clothes and food would be undivided between us, that is, we will partake of them as common assets.

य is also from Uttara Kanda:

https://www.yogajournal.com/yoga-101/mantras-101-the-science-behind-finding-your-mantra-and-how-to-practice-itयामेव रात्रिं शत्रुघ्नः पर्णशालां समाविशत्।
तामेव रात्रिं सीतापि प्रसूता दारकद्वयम् ॥(७.६६.१)

The night during which satrughna entered the hermitage of Valmiki, the same night Sita was delivered of twin male children.

+------------------+------------------------+-------------------------+ | Name of kanda | Number of chapters | Number of shlokas | +------------------+------------------------+-------------------------+ | Bala Kanda | 76 | 1941 | | | | | | Ayodhya Kanda | 111 | 3160 | | | | | | Aranya Kanda | 71 | 2060 | | | | | | Kishkindha Kanda | 66 | 1898 | | | | | | Sundara Kanda | 66 | 2487 | | | | | | Yuddha Kanda | 116 | 4435 | | | | | | Uttara Kanda | 100 | 2689 | +------------------+------------------------+-------------------------+ | | | | | Total | 606 | 18,670 | | | | | +------------------+------------------------+-------------------------+The First Sloka !!
Valmiki Jayanti is coming and everybody should know and share:
Vālmīki was going to the river Ganges for his daily ablutions. A disciple by the name Bharadvāja was carrying his clothes. On the way, they came across the Tamasa Stream. Looking at the stream, Vālmīki said to his disciple, “Look, how clear is this water, like the mind of a good man! I will bathe here today.” When he was looking for a suitable place to step into the stream, he saw a crane couple mating. Vālmīki felt very pleased on seeing the happy birds. Suddenly, hit by an arrow, the male bird died on the spot. Filled by sorrow, its mate screamed in agony and died of shock. Vālmīki’s heart melted at this pitiful sight. He looked around to find out who had shot the bird. He saw a hunter with a bow and arrows, nearby. Vālmīki became very angry. His lips opened and he cried out
मां निषाद प्रतिष्ठां त्वमगमः शाश्वतीः समाः। यत्क्रौंचमिथुनादेकम् अवधीः काममोहितम्॥’
mā niṣāda pratiṣṭhāṁ tvamagamaḥ śāśvatīḥ samāḥ
yat krauñcamithunādekam avadhīḥ kāmamohitam
Meaning:
You will find no rest for the long years of Eternity
For you killed a bird in love and unsuspecting
Emerging spontaneously from Valmiki’s rage and grief, this was the first śloka in Sanskrit literature. Later Vālmīki Muni composed the entire Rāmāyaṇa with the blessings of Lord Brahmā in the same meter that issued forth from him as the śloka. Thus this śloka is revered as the “first śloka” in Hindu literature. Vālmīki Muni is revered as the first poet, or Ādi Kavi, and the Rāmāyaṇa, the first Kāvya.
The Vishnudharmottara Purana says that Valmiki was born in the Tetrayuga as a form of Vishnu who composed the Ramayana, and that people desirous of earning knowledge should worship Valmiki !!

“Self-discipline, self-study, and devotion are yoga in the form of action” – Yoga Sutra II

In understanding how mantra works, it can be helpful to look at its translation. The word mantra is derived from two Sanskrit words—manas (mind) and tra (tool). Mantra literally means “a tool for the mind,” and was designed to help practitioners access a higher power and their true natures. “Mantra is a sound vibration through which we mindfully focus our thoughts, our feelings, and our highest intention,” says music artist Girish, author of Music and Mantras: The Yoga of Mindful Singing for Health, Happiness, Peace & Prosperity. Over time, that vibration sinks deeper and deeper into your consciousness, helping you to eventually feel its presence as shakti—a powerful, if subtle, force working inside each of us that carries us into deeper states of awareness, says Sally Kempton, a meditation teacher and author of Meditation for the Love of It: Enjoying Your Own Deepest Experience.

https://www.yogajournal.com/yoga-101/mantras-101-the-science-behind-finding-your-mantra-and-how-to-practice-it

The mantra: Gāyatrī mantra

Om bhūr bhuvah svah | tat savitur varenyam | bhargo devasya dhīmahi | dhiyo yo nah pracodayāt

Pronunciation: A-u-m bhoor bhoo-va-ha sva-ha | tut sa-vi-toor va-rain-yum | bhar-go day-vas-yah dhee-muh-hee | dhi-yo yo na-ha pra-cho-duh-yat
Translation: Earth, heaven, and all between. The excellent divine power of the sun. May we contemplate the radiance of that God. May this inspire our understanding.
Why chant it: It’s one of the oldest Sanskrit mantras and very sacred in the Hindu tradition. It invokes the light of the sun and helps us to transcend suffering. It should only be chanted at dawn, noon, and sunset.

The mantra: Invocation to Ganeśa

Flowers in Chania

Om gam ganapataye namah | vakra-tunda mahā-kāya sūrya-koti-samaprabha | nirvighnam kuru me deva sarva-kāryesu sarva-dā

Pronunciation: A-u-m gam ga-na-pat-ta-yay
na-ma-ha | vak-ra ton-da ma-ha ka-ya soor-ya
ko-tee sa-ma pra-bha | nir-vig-nam koo-roo may day-va sar-va car-yay-shu sar-va da
Translation: Ganeśha, god with a curved trunk, of great stature, whose brilliance is equal to ten million suns. Grant me freedom from obstacles, in all things, at all times.
Why chant it: Ganeśha is the god of wisdom and success and the remover of obstacles. It is always a good idea to begin any new endeavor by invoking him.

2020

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2019

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2018

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2017

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2016

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2015

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2012

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2011

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2007

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THE Valmik Music BAND

Chapters of the White Yajurveda[17] Chapter No. Ritual Name Days Nature of Ritual Reference 1-2 Darsapurnamasa (Full and new moon rituals) 2 Offer cow milk to fire. Separate calves from the cows. [35][36]

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Hymns Rigvedic deities The Rigvedic hymns are dedicated to various deities, chief of whom are Indra, a heroic god praised for having slain his enemy Vrtra; Agni, the sacrificial fire; and Soma, the sacred potion or the plant it is made from. Equally prominent gods are the Adityas or Asura gods Mitra–Varuna and Ushas (the dawn). Also invoked are Savitr, Vishnu, Rudra, Pushan, Brihaspati or Brahmanaspati, as well as deified natural phenomena such as Dyaus Pita (the shining sky, Father Heaven), Prithivi (the earth, Mother Earth), Surya (the sun god), Vayu or Vata (the wind), Apas (the waters), Parjanya (the thunder and rain), Vac (the word), many rivers (notably the Sapta Sindhu, and the Sarasvati River). The Adityas, Vasus, Rudras, Sadhyas, Ashvins, Maruts, Rbhus, and the Vishvadevas ("all-gods") as well as the "thirty-three gods" are the groups of deities mentioned.[citation needed] Mandala 9 comprises 114 hymns, entirely devoted to Soma Pavamana, the cleansing of the sacred potion of the Vedic religion.[citation needed] Mandala 10 comprises additional 191 hymns, frequently in later language, addressed to Agni, Indra and various other deities. It contains the Nadistuti sukta which is in praise of rivers and is important for the reconstruction of the geography of the Vedic civilization and the Purusha sukta which has been important in studies of Vedic sociology.[78] It also contains the Nasadiya sukta (10.129) which deals with multiple speculations about the creation of universe, and whether anyone can know the right answer.[7] The marriage hymns (10.85) and the death hymns (10.10–18) still are of great importance in the performance of the corresponding Grhya rituals.


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22-25 Ashvamedha 180 or 360 Only by King. A horse is released, followed by armed soldiers, wherein anyone who stops or harms the wandering horse is declared enemy of state. The horse is returned to the capital and is ceremoniously slaughtered by the soldiers. Eulogy to the departed horse. Prayers to deities. [42] 26-29 Supplementary formulas for above sacrifices [43] 30-31 Purushamedha Symbolic sacrifice of Purusha (Cosmic Man). Nominal victim played the part, but released uninjured after the ceremony, according to Max Muller[44] and others.[45] A substitute for Ashvamedha (horse sacrifice). The ritual plays out the cosmic creation. [46] 32-34 Sarvamedha 10 Stated to be more important than Purushamedha above. This ritual is a sacrifice for Universal Success and Prosperity. Ritual for one to be wished well, or someone leaving the home, particularly for solitude and moksha, who is offered "curd and ghee (clarified butter)". [47] 35 Pitriyajna Ritual funeral-related formulas for cremation. Sacrifice to the Fathers and Ancestors. [48] 36-39 Pravargya According to Griffith, the ritual is for long life, unimpaired faculties, health, strength, prosperity, security, tranquility and contentment. Offerings of cow milk and grains to yajna fire. [49] 40 This chapter is not an external sacrifice ritual-related. It is Isha Upanishad, a philosophical treatise about inner Self (Atman, Soul). The verse 40.6 states, "The man who in his Self beholds all creatures and all things that be, And in all beings sees his Self, then he doubts no longer, ponders not. [50]

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Upnishad

The Mundaka Upanishad, embedded inside Atharvaveda, is a poetic-style Upanishad, with 64 verses, written in the form of mantras. However, these mantras are not used in rituals, rather they are used for teaching and meditation on spiritual knowledge.[59] In ancient and medieval era Indian literature and commentaries, the Mundaka Upanishad is referred to as one of the Mantra Upanishads.[60] The Mundaka Upanishad contains three Mundakams (parts), each with two sections.[61][62] The first Mundakam, states Roer,[61] defines the science of "Higher Knowledge" and "Lower Knowledge", and then asserts that acts of oblations and pious gifts are foolish, and do nothing to reduce unhappiness in current life or next, rather it is knowledge that frees. The second Mundakam describes the nature of the Brahman, the Atman (Self, Soul), and the path to know Brahman. The third Mundakam continues the discussion and then asserts that the state of knowing Brahman is one of freedom, fearlessness, liberation and bliss.[61][62] The Mundaka Upanishad is one of text that discuss the pantheism theory in Hindu scriptures.[63][64] The text, like other Upanishads, also discusses ethics.[65]

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Mandala 1 comprises 191 hymns. Hymn 1.1 is addressed to Agni, and his name is the first word of the Rigveda. The remaining hymns are mainly addressed to Agni and Indra, as well as Varuna, Mitra, the Ashvins, the Maruts, Usas, Surya, Rbhus, Rudra, Vayu, Brhaspati, Visnu, Heaven and Earth, and all the Gods. This Mandala is dated to have been added to Rigveda after Mandala 2 through 9, and includes the philosophical Riddle Hymn 1.164, which inspires chapters in later Upanishads such as the Mundaka.[5][76][77] ]